Hyphen Drawn

SPIDEYVILLE UNLIMITED

"Rapper. Writer. Director. Visionary. Devourer Of Steak."

Thanks For The Publicity Daily Anthenaeum!
J.D. and Cox
[info]bhyphen
So there was an article on 6 for his album release party in WVU's school paper The Daily Anthenaum. Good article. But...there was something wrong with the picture.

6’6 240 to host CD release party at 123

By Marc Basham

Published: Tuesday, September 8, 2009

Updated: Tuesday, September 8, 2009

6-6 240

 

Local rapper 6’6 240 will unveil his latest CD titled “Hard Work and Dedication” at a release party Sept. 23. The party will be at 123 Pleasant Street, and 6’6 240 will perform with A Breezy. 6’6 240 is perhaps most well-known for this annual “Gold and the Blue” songs, which are about the WVU football team and have updated lyrics to match the current team roster.

One of the more recognizable names in the Morgantown music scene is hosting a party to celebrate the release of his new album, and everybody is invited to join the festivities.

Rapper 6’6 240, the man behind the unofficial anthem of West Virginia University football, "Gold and the Blue," has a new album titled "Hard Work and Dedication," scheduled for release Sept. 23.

To celebrate the new release, 6’6 240 and 123 Pleasant Street are hosting a release party Thursday night to debut songs from the album and hear some new music from the rapper and other acts.

According to 6’6 240, the new album was a tireless effort but well worth it for his loyal fans in the area.

"There was a lot of hard work and dedication put into this new album, hence the name," 6’6 240 said. "I made a conscientious effort on this album to make music for my family and the many people who have supported me throughout the years."

The performer also believes that staying close to home on this new album brought out the best in his music.

"It seems like I’ve been trying to take over the world since 2000, but my main support has always remained local," 6’6 240 said. "This album, and all of the dedication I put into it, is for my fans and supporters in West Virginia."

6’6 240 has become most recognizable from his WVU football anthem "Gold and the Blue," a song that he says has evolved over the years.

"Every year, I try to make ‘Gold and the Blue’ better, and this year, I think is one of the best," 6’6 240 said. "Up until last year, we had Pat (White), Steve (Slaton) and Coach (Rich) Rod, but now WVU football is moving into a new era with Coach Stew and Jarrett (Brown) at the helm. I wanted this year’s version to also reflect that evolution into a new era."

With the release party, 6’6 240 is also trying something new – performing with a live band.

"I have been working with my band for about a month and a half," 6’6 240 said. "This event is going to be a great way to give back to my fans and showcase some of my new music. We have several other acts performing, too, so it’s going to be a good time."

6’6 240’s release party featuring A Breezy is set for Thursday night at 123 Pleasant Street. There is a $5 cover at the door.

To hear samples of 6’6 240’s new album and the 2010 version of "Gold and the Blue," visit his Web site www.myspace.com/mrdubvee.

I have not been mistaken for 6'6...yet. lol.


No Beard For WVU's Mountaineer
Stan Lee
[info]bhyphen
So every few years WVU picks a new person to be the Mountaineer mascot. And normally it's a guy.

This year it's a girl. And a bunch of douches at WVU are giving her a hard time about it.

Personally I don't care. I'm sure she's able to do the job as well as any man that's been the mascot before her. And she's not the first girl mascot anyway.

But reading articles like this makes me forget we live in 2009. Let her be the Mountaineer people. She's obviously better than you at it.

The Tale of No Beard

Samantha Cossick, Staff Writer

Story Picture\
Media Credit: BRAD DAVIS/THE DAILY ATHENAEUM
Rebecca Durst officially started as West Virginia University’s new Mountaineer when she fired the rifle at the Gold-Blue Spring Football Game at Milan Puskar Stadium Saturday.

But some students and fans are still taking shots at her role in a traditionally male position.

Read more... )

Does This Look Like A Promise Face?
Stan Lee
[info]bhyphen

Nation's Blacks Creeped Out By All The People Smiling At Them

WASHINGTON—A majority of African-Americans surveyed in a nationwide poll this week reported feeling "deeply disturbed" and "more than a little weirded out" by all the white people now smiling at them.

Enlarge Image Blacks

Black citizens have reported a disturbing 350 percent increase in interracial high-fiving since January 20.

First witnessed shortly after President Obama's historic victory, the open and cheerful smiling has only continued in recent months, leaving members of the black community completely unnerved.

"On behalf of black people across this nation, I would like to say to our white brethren, 'Please stop looking at us like that,'" said Brown University psychology professor Dr. Stanley Carsons. "We're excited Barack is president, too, and we're glad you're happy for us. But giving us the thumbs up for no reason, or saying hello whenever we walk by, is really starting to freak us out."

Added Carsons, "We just want to be able to stand in line at Home Depot without getting patted on the back."

Enlarge Image Nation's Blacks Chart

According to the poll, more than 92 percent of African-Americans have noticed a dramatic increase in the number of beaming Caucasians in their vicinity, as well as a marked rise in the instances of white people making direct eye contact with them on the bus, engaging them in pleasant conversation, and warmly gazing in their general direction with a mix of wonder, pride, and profound contentment. All respondents reported being "petrified" by the change.

"Yesterday, I'm pretty sure the cashier at the Giant Eagle winked at me," said Eddie Wilkes, a Pittsburgh resident who described himself as "not a politics person." "Then she said something about what a happy day it was and tried to bump fists. The whole thing gave me the willies."

"I can't even be at a bar anymore if they have the news on," said Chicago native and small business consultant Jarell Brown. "Obama gives a speech on the economy and people act like my team just won the Super Bowl. I didn't even vote for the guy. I'm a Libertarian."

Although poll respondents said that the regularity of jovial white strangers greeting them in elevators has risen approximately 450 percent since mid-January, the incidents are reportedly nowhere near as frequent as they were on Nov. 4, 2008. On that day, the country was temporarily seized by an epidemic of unsolicited white-on-black hugging.

In an attempt to return the nation's interracial interactions to their preinauguration level of stilted awkwardness, the NAACP and the ACLU released a joint statement Monday addressing the issue. In the four-page address, the activist groups call for normalcy and urge the nation's whites to immediately desist creeping everybody out with all the nodding and warmth and raised eyebrows.

"If you could all stop acting like you're generally pleased to see black people walking around, out in the open, that would be better for all of us," NAACP president Benjamin Jealous said to a smiling and misty-eyed press corps that was "just thrilled" to have him there. "It's very kind of you to be so enthusiastic about our achievements, but if it's still on the table, we'd like to return to the times when your reactions varied between unfounded apprehension and complete indifference. To be honest, you people are kind of terrifying when you're happy."

Added Jealous, "Oh, and please stop e-mailing us that picture of Jesse Jackson crying. We've seen it."

While experts couldn't predict how long this unsettling new trend would continue, at least one citizen, who wished to remain anonymous, said he had given up hope of ever feeling comfortable around white people again.

"Everywhere I go, there they are: offering me pancakes, laughing at all my jokes, even bursting into tears when they see me," said the Washington, D.C. resident and father of two. "I know you mean well and all, but seriously, knock it off. You're giving my children nightmares."

As of press time, the nation's Arab-Americans have reported no discernible change in all the angry, reflexive scowling.


Real Life TMNT
Hyphen Drawn
[info]bhyphen

Three found, busted after getting lost in sewer

Wednesday, October 15th 2008, 11:17 PM

 

Rescue workers converge at manhole in Kissena Park, Queens, to rescue three teen boys (below) who became lost and trapped inside sewer.

Cowabunga!

Three blockheaded teenagers were busted playing in a sewer Wednesday in Queens - after getting lost while pretending to be Teenage Mutant Ninja Turtles, police sources said.

Schiller Milfort, 16, of Hollis, and Marvin Ottley, 17, of Bellaire, along with an unidentified 15-year-old boy, were shirtless and in their shorts and sneakers when firefighters plucked them out of a sewer in Kissena Park.

The make-believe heroes were crawling around the sewer system when they got confused and lost their way, police sources said.

They were not injured, officials said.

"These three idiots were playing Teenage Mutant Ninja Turtles and wanted to go into the sewers," said one police source. "They were never in danger, just goofing off and being stupid."

Milfort and Ottley were charged with criminal trespassing. The other teenager was released to his parents.


And The Sad Raider Saga Continues
Randy Orton
[info]bhyphen

Sapp says Kiffin treated unfairly, blames Davis for Raiders' mess

How dysfunctional are the Oakland Raiders? So dysfunctional that Warren Sapp warns anybody who asks him about signing there to stay far away.

Nobody tells you how bad it is," the former defensive tackle said on Showtime's "Inside the NFL." " ... any person that calls me on the telephone, [I tell them] do not go anywhere near Oakland."

Sapp, who retired after the 2007 season -- his fourth with the Raiders -- said that Lane Kiffin, fired this week by owner Al Davis, never got a fair chance in Oakland.

"He came in there with a change of mentality. The whole system," Sapp said on "Inside the NFL." "He changed how the locker room looked because it was going to take that kind of overhaul for Oakland to become the proud franchise we all knew it was."

Sapp said Oakland won't change for the better until Davis doesn't own the team anymore.

"[Davis] is the common equation," Sapp said on "Inside the NFL." "You take him out, put him at home watching film or whatever he is doing -- you have a functioning football organization. But once he comes over the top, he goes and starts moving it around.

"Al Davis knows football -- it's just '60s and '70s football. That's what it is. He's thinking that Cliff Branch is outside and [Jim] Plunkett is dropping back and you can throw it 80 yards down the field -- deep ball, deep ball, deep ball."

Sapp even said that Davis would call in plays when Sapp was playing for the Raiders.

"I remember the first two weeks I was there, we played a preseason game. Somebody came up one time and said, 'We're going deep right here, dog.' I said, how do you know? He said, 'The phone just rang.'

"All the preparation that goes into a week of work is there, the practicing that you have to put in order to do these things, sometimes [Al Davis] messed with that part of it and that's what kills you," Sapp said on "Inside the NFL."


James McBride
Hyphen Drawn
[info]bhyphen
Last Thursday, I went with my friend Derek to see James McBride speak.

I wish I had a tape recorder.

Or more time to ask him questions.

As a writer, screenwriter, and musician, he appealed to me in many ways.

And he made a lot of sense.

Here's the D.A.'s article on him.

‘Everyone’s pain is relative’

Title Bar
Issue Date: Friday September 12, 2008   Section: HeadLine News Section
Story Picture
Media Credit: CHRIS JACKSON/THE DAILY ATHENAEUM
Award winning writer and composer James McBride spoke to students late Thursday afternoon in the Blue Ballroom in the Mountainlair. McBride has been compared to Faulkner and has worked as a staff writer for the Washington
Award winning author speaks to audience Thursday afternoon

By Chris Jackson

Photographer

The thin crowd shifted with frustration and eagerness as the clock ticked past 4 p.m. Award-winning author James McBride was supposed to be there, and his plane had touched down in Pittsburgh two hours ago.

He was a half hour late.

A staffer uttered calming words as several audience members headed for the exit, only to be ushered back by the presence of the person they had waited very long to see.

As the crowd grew and the audience greeted him with smiles and relaxed faces, McBride took the microphone and began to speak about his passion of writing.

“I’m always trying to find the commonality in the human experience,” McBride said.

The native New Yorker is best known for his memoir, “The Color of Water,” a story about his widowed Jewish mother who raised 12 children in New York City and sent them all to college.

The memoir sold more than $2 million copies worldwide and was on The New York Times bestsellers list for two years.

McBride spoke in the Mountainlair with students about his work on Spike Lee’s upcoming film “Miracle at St. Anna,” a novel McBride finished in 2002 and translated into a screenplay.

“I wrote 20 to 30 drafts of ‘Miracle at St. Anna’ before handing it to Spike,” McBride said about the novel’s translation to the screen.

He added words of wisdom about America’s current state and praised President Bush for his loyalty to those close to him, saying that “the leaders you elect, is the country you get.”

He went on to speak about media and television, adding that “the game these days is to flood you with nonsense.”

During the question and answer session, McBride gave tips to aspiring writers. He urged writers to “study the liberal arts,” but most of all history – calling it, “the muscle.”

He told those wanting to be a writer to get out of West Virginia or where they grew up and see the world – only then to come back once they have “starved.”

McBride has been compared to one of his biggest influences – William Faulkner – and said characterization is the key to solid writing.

“People will follow characters to the end of the world,” McBride said.

McBride has several honorary doctorates and is currently a Distinguished Writer in Residence at New York University.

“Miracle at St. Anna,” comes out Sept. 26.

"They Said This Day Would Never Come"
Jedi Dwight
[info]bhyphen
http://abcnews.go.com/Technology/SmartHome/story?id=5689480&page=1

I think this is stupid. This is like reaching the end of the internet. It shouldn't happen...

Downey Jr. Disses Dark Knight
Raphael
[info]bhyphen
http://movies.yahoo.com/feature/downey-talks-dark-knight.html

He actually utters the words "F&^$ DC Comics". I mean we've always known DC and Marvel are competitors but for someone to vocalize my fan boy opinions as a die hard Marvel guy is AWESOME. And yes I like DC, but it's still cool to hear someone else say it.

456 Pleasant Street
Hyphen Drawn
[info]bhyphen
123 Pleasant Street is a local venue here in Morgantown, that supports most of the local music scene, including hip-hop. This is an article that WVU's school paper ran on April 1st.

Interview In WVU School Paper!
Jedi Dwight
[info]bhyphen

Hip-hop artist B-Hyphen does it all

Title Bar
Issue Date:Thursday February 28, 2008   Section: Arts & Entertainment Section

By Alex Avakian, A&E Writer

Print Print     Email Email
Story Picture
Media Credit: NIKKI ROTUNDA/THE DAILY ATHENAEUM
Last week DAA&E gave you a brief look into the mind of rapper B-Hyphen as I reviewed his newest mixtape, “The Mind’s Mixtape Volume 3.” Today I dive a little deeper into the world of Kelen Conley.

Born in Winchester, Va., Conley was uprooted at the age of nine and moved with his family to the small town of Capon Bridge, W.Va. It was here that Conley’s interest in music grew, stemming first from a love for singing.

“I was a Boys II Men fan. I did all that school choir stuff. I was in chorus from 5th grade ‘til my senior year. I was dedicated to the cause,” Conley said.

“But hip-hop took over after I got out of high school. When I was younger I heard rap, and I liked certain ones. But I was always more into the singing. Then I met my friend who actually raps with me now, who goes by the name Chivalry. He said, ‘Oh you need to rap, you need to rap.’”

At first, Conley’s singing background made him reject rapping. However, listening to more rap music caused him to reconsider, and by age 14 Conley was hooked.

“If I didn’t smoke so much, I could probably still sing a little bit.”

Conley credits a lot of his inspiration to artists like Nas, Jay-Z and even Stevie Wonder.

“Stevie Wonder could write a song about anything. He wasn’t just cookie cutter, make a song about love. He even made a song about apartheid”

Conley also came from a very supportive family. Always encouraged, Conley was given the space he needed to express himself creatively in a variety of ways.

In addition to his interest in rap, Conley’s Web site www.bhyphen.com contains links to some of his other work, which includes writing, links to comic book Web sites, and fan fiction, a style of creative writing based around making stories based on known characters.

“For example, if I like ‘24,’ I could go and write a story about Jack Bauer,” Conley said. “The writing stuff, the fan fiction, comes from my love of comic books. Ever since I was little, I was real big into comics. – mostly Spider-man,” Conley said.

Though he’d like to write more, he is so involved in music that he doesn’t have the time.

“My main goal for the site is just to have a place for the mix tape if you want to download it, my music, and then if you want to look at my fan fiction it’s there too. And also whatever other ideas might pop up.”

Even though there is a variety of things on Conley’s Web site, his focus right now is squarely on his music. An avid fan of the hip-hop world, Conley would like to spend the rest of his days working within the expanding industry.

“I would say I would give anything to be a hip-hop artist for the rest of my life,”

Conley said. “Once I get to the point where I don’t have to rap anymore, I want to step back, be in a CEO position, where I can build somebody’s younger career, and I can continue the tradition to pass on the hip-hop torch.”

Although he is still in school, and getting his degree is important to him, music is a top priority.

“It’s my first love and everything,” Conley said.

Conley has certainly come a long way. In his earlier days Conley and friend Chivalry both rapped under the self-made label Death Before Dishonor Records.

“It’s nothing real big, and all we focus on is developing ourselves, so it’s more of a developmental label,” Conley said.

This development opened new doors for Conley as he progressed as a rapper. After two years at Potomac State College, Conley made his way to West Virginia University, where his interest in music only grew. Today, he is a member of the popular Morgantown label known as Sound Vizion, run by DJ Monstalung.

The two met at U92 FM radio after Conley received a job as a DJ. Conley is one of five people who run the popular Urban Diner segment, which is dedicated to hip-hop spanning beyond top 40 radio hits.

After meeting DJ Monstalung at the station, Conley expressed his interest in hip-hop to him.

“I’m sure he hears that all the time. He kind of took me under his wing. He told me to stick with him and be patient, and things would start paying off for me,” Conley said.

While other rap hopefuls left after DJ Monstalung told them to be patient as well, Conley stuck with him.

“Once he heard this mixtape he officially made me Sound Vizion. Before it was kind of like I was in the training program,” Conley said.

The newly released mixtape is the third in a series of “Mind’s Mixtapes.” The most recent one is a collaboration of the inner thoughts of Conley, dealing with real life, personal issues, as well as some upbeat party songs and a few jazzy hip-hop tracks.

“I did the first one in 2004, and it was right when the mixtape era had gotten real big in hip-hop – right after 50 (Cent) did it and everything,” Conley said. “I was writing a rhyme, and I said something about the mixtape of the mind, and there it was.”

According to Conley, the mixtapes give him a lot of focus an allow him to express everything and anything he needs to. His latest CD seems to have had the best response, he said.

From the Urban Diner (Tuesdays and Thursdays 8 to 10 p.m. and Saturdays 6 p.m. to midnight), to fan fiction, to comics and, of course, rap, Kelen Conley seems to do it all. As for now though, Conley is keeping himself focused on rapping and performing.

“There is something always special about getting on a stage,” Conley said. “You’re on the stage, and it’s just you, the microphone and the people. It’s like you can almost step out of your everyday life and what’s going on with your problems and you can just let it all go and put it all into your music.”

alex.avakian@mail.wvu.edu

Review of The Mind's Mixtape volume Three in WVU's school paper!
Hyphen Drawn
[info]bhyphen

Morgantown rapper B-Hyphen’s latest album gives hip-hop music a new spin

Title Bar
Issue Date:Monday February 18, 2008   Section: Arts & Entertainment Section

By Alex Avakian, A&E Writer

Print Print     Email Email
Story Picture
Media Credit: NIKKI ROTUNDA/THE DAILY ATHENAEUM
Many consider the phrase “West Virginia Hip-Hop” to be an oxymoron. B-Hyphen’s “The Mind’s Mixtape Volume Three” gives doubters something new to listen to.

Containing more than just generic rap lyrics, “MMV3” has a spectrum of beats and personal reflections from Winchester, Va., native Kelen Conley.

The mixtape starts off with a solid introduction from DJ Monstalung, both of who serve under the Sound Vizion record label.

The beginning of the album starts out strong, with uplifting, powerful beats and raw rap. The track “Death Before Dishonor” uses Young Jeezy’s “Go Getter” beat, which starts the album out in a definitive way.

The next two songs, “Come Out Swinging” and “Premier” are decent tracks, however, both songs are hurt by some rather repetitive, uncreative hooks.

The album picks up in a big way from there though. “It’s Hyphen B------” is a rough and gritty song repping the artist’s name to the Swizz Beatz “It’s Me B------.” One of the most memorable beats produced over the past few years, Hyphen works it well and helps listeners remember the name.

“Demon in the Bottle,” and “I Hate Myself” are two tracks that show the depth and personality of Hyphen. Rap is more commercial than it’s ever been, so to hear Hyphen talk about personal issues such as addiction and the pain of not being recognized is truly refreshing.

More than that, Hyphen really works the lyrics in these two songs. Almost all of the verses flow wonderfully, and Hyphen keeps his focus on the bigger picture of the tracks he’s on.

Hyphen captures the storytelling aspect of hip-hop, particularly in “Demon.” He introduces the story talking about the mystery of beer as a child, and his alcoholism at different stages in his life.

Some of the tracks toward the end are not as well-rehearsed as the others, but Hyphen manages to bring it back with “Since Thunderstorm.” The song is to the beat of Pharrell’s “You Can Do It Too”, and is put together marvelously. The beat is true hip-hop, with soft percussion and a slow, jazzy bass line that will make anyone nod their head. The track also contains the best hook of the CD, “Listen world take it in this is me, the life and times of Kellen Conley volume three.”

The tracks after this one again lack some substance. The album finishes with “The Masterpiece” to Nas’ “Black Republican” beat. It’s a good track but relies too heavily on the beat, even making references to being a “Black Republican.”

If it were to be labeled as a true album, “MMV3” would come off as a somewhat weak performance. There is also a lot of sound clips at the beginnings of songs that take away from the momentum of the album, and a couple of the tracks really lack lyrical composition.

However, as a 19-track mixtape, the CD delivers much more than expected. After cutting through a lot of the fat, the meat of “MMV3” has some truly good tracks to listen to. “Demon,” “Hate Myself” and “Since Thunderstorm” are three tracks that really show off Hyphen’s talent and creativity.

“MMV3” really makes Hyphen stand out in a sea of bland rap careers. His storytelling and ability to express himself beyond the normal confines of generic rap is something that is rare.

The mix tape as a whole was intended to showcase Hyphen’s mind, and he does an excellent job of this.

If solely just to hear the hits, check out B-Hyphen’s new mix tape at http://www.myspace.com/spideyville.

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